Tag: Florida

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The Angry Ibis

SSA Photography (302 of 400)

(Yes, this is a beautiful, if not cantankerous crow, but the ibis is skittish and I don’t have a long telephoto anymore…)

Taking up work at home has interesting advantages, as well as obvious drawbacks.  The munchkin, a two-year-old ginger girl with a heart of gold, weeps openly when I go upstairs to the office.  As you might imagine, this rends my heart.  The minion, a seven-year-old, decries the fact that I don’t take him fishing every seven minutes whilst I am home.  As you might imagine, this gets old.  Nevertheless, I love them both, and having the opportunity to see them more often has been a blessing.

My sleep schedule has not changed too radically, as I still wake up in the wee hours of the morning to write.  What has changed, is my company.  Instead of the irritable Vietnamese cleaning lady and the security guard that we all refer to as “Lurch” or the “Parking Nazi,” I have been visited daily by a beautiful, but very skittish, brown ibis that perches in the birch tree outside the office window come about 3:00.  He is either terribly lonely, horny, angry as hell, or schizophrenic.  I haven’t quite figured out which it is.  I have a sneaking suspicion that he is not lonely—though he might just be a racist—because he chased a white ibis away when I was walking Deacon yesterday.

His calls are monotone and shrill.  They sound like, as I imagine, a professional mourner may have sounded in an ancient Roman funeral.  “Aye-e, Aye-e, Aye-e.”  How this hasn’t woken up the minion who is highly sound-sensitive is beyond me.  He let me and the munchkin (duly muzzled for the endeavor) get a bit closer to him the other day while he was on the bank of the lake, and I think that he is more comfortable on dry land than he is perched in a tree.  I never took an ibis, a wading bird, as a tree-mourner, but there you have it.

I think it’s a fairly perfect metaphor, however, for where I am right now.  I am in a whole new roost in the converted “office” upstairs, which doubles as a guest bedroom, a TV room, a hermitage, and an observatory.  Like the ibis, I find myself disgruntled in the morning, and I often wonder whether he has been displaced by the virus, too.  Similarly, like the ibis, I find myself isolated, but not necessarily by anyone’s fault but my own.  I am enjoying this social distancing so far, but even I, an inveterate introvert, miss my people.  Perhaps the ibis is calling to a friend at the other end of the lake, and the two are masters in social distancing.  Lord knows I have the time to figure this out from my perch in the observatory.

 

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Roots, Radical.

DriftwoodTree

If you have read any number of my posts, it would not be an overstatement to say that I enjoy metaphors.  This lonely tree on the beach at Jekyll Island just begs for one, and who am I to deny what nature has so freely given.

I took this photograph on our “babymoon” just before Nora was born.  By “just before” I mean that Anna went into labor shortly after this photograph was taken.  We got back to the house just in time to turn around and go to the hospital, where Nora was born a brief time later.  I did not have time to process this photography until quite a while later, and here it is two and a half years later before I am posting it.

I was this lonely tree for longer than I would care to admit.  I had come out of that phase of my life by the time I came upon this tree, roots bare, and stark against the cloudless sky, but it is no less significant.  It represents many of the days that I walked on the beach at Big Talbot or nearer to our house in Ponte Vedra searching for soil into which I could sink my roots.  The irony of looking for this in the shifting sands of beaches is not, now, lost on me.  Nor is it lost on me that this tree took root on those sands, or that it continues to stand there despite hurricanes and erosion that would have felled weaker trees.

In fact, this tree stands because it is small, and its roots are proportionally giant and deep.  It would not surprise me if the root system was as large and deep as the tree is tall and wide.  As I look at it now, I imagine that the roots are a mirror image of the branches above the gray sand.  They are gnarled and strong, irregular and radical.  Radical is a favorite word of mine.  It literally comes from the Latin word radix, which means root.  To be radical is to affect the fundamental, root nature of something.  Conversely, a radical is someone who advocates a departure from the fundamental, root nature of a thought or idea.  I love the derivations, the roots of words.  They give words that we take for granted so many more layers, more strata, which, if you were wondering, means layers of things strewn about…I could go on and on…ad infinitum.

And they wonder why I was a Latin and English major…

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Back to Where it All Began

 

Fuji-6I’ll admit, I didn’t feel a sense of nostalgia when I stepped onto the beach at Big Talbot on Saturday.  It wasn’t until I began processing the first photos from my new camera that the memories of the solace I found there five years ago came flooding back.

I came then to take pictures of the driftwood with my little Nikon D40.  It was the first place I brought my D7100 and D7500 after that.  It did not cross my mind, however, that I would be christening my new camera, as I had time and time again, by bringing it here.  Still, something in my subconscious drew me back to this beach on Saturday with a new camera and a renewed zeal for photography.

My new camera is a Fujifilm X-T30, a small but exceptionally powerful mirrorless camera.  It is so vastly different from the Nikons I have loved for so many years that I spent the better part of two weeks getting acquainted with the features and controls of the camera, watching tutorials and reading the manual like my very life depended on it.

Because the camera itself was more expensive than any of the Nikons I have owned, I only managed to pick up the camera and an 18-55mm f/2.8-4 AF lens at first.  I knew I wanted a wide angle lens, like my old Tokina 11-16 f/2.8, which had quickly become one of my absolute favorite landscape and architecture lenses.  The autofocus lenses would have put me back $500+, and I couldn’t justify this, so I took a flyer on a Rokinon 12mm f/2.0 manual focus lens.

I have not used a manual focus lens since I used my mom’s old Minolta SLR, but it proved to be an incredibly rewarding experience.  I felt more like a photographer dialing in the aperture manually and focusing the lens with the slightest movement to just below infinity, than I can ever remember on my autofocus lenses.  I picked up a cheap, but razor sharp manual focus 35mm f/1.2, which is by far the fastest lens I have ever owned.  I think this one is going to be more of a challenge, but I am greatly looking forward to it.  I have my eye on an 85mm f/1.8 for portraits of the kids (with their ages and frenetic movements, autofocus is all but a requirement).

The photograph above is the first one I took at Big Talbot.  The shot was taken handheld at 12mm, f/2.8, 1/350, ISO 125.  The sky was wonderfully expressive, and the application of a bit of a gradient filter to it in lightroom brought out the heaviness of the clouds that began to unleash their rain very shortly after I got into my car to leave.

I only took 150 shots during the hour and a half I was there.  With my Nikons, I would have taken at least twice that and kept, perhaps, five or six shots.  Something about the camera and the lens made me more thoughtful about composition and the elements in the shots.  I hope you enjoy this one, and the ones to come.  We are going up to North Carolina at the end of the week, and I cannot wait to see what my home away from home has in store for me.

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Curiosity

LittleTalbot-11

As evidenced by the sweat on Kemp’s brow, it was a hot day at Big Talbot Island when I took this picture of him in his live oak “fort.”  Although he went through a bit of a rough patch at the beginning of the year, since then he’s been everything we thought he could be in more.  Although we never doubted that he was a great kid, his attitude and outlook on life has changed for the better in ways that we could not even imagine.  He still has his moments, but then he is a six-year-old boy.

I love taking him to Big Talbot Island, selfishly because I can take pictures of him candidly as he plays amongst the live oaks, but I enjoy watching him in the outdoors getting sandy and wet while he chases the sand fleas and the ghost crabs among the huge driftwood trees.  He’s a cautious little guy, but he is become more comfortable climbing the trees which only rise about five feet from the sand at their highest.

I am incredibly proud of the little boy he’s becoming, and I am constantly amazed at the way his brain works in the capacity of his memory and his intelligence.  He has a fascination for music, and I am always blown away when I hear his little fingers on the piano.  His newest number that he practices without prompting is “Ode to Joy.”  Out of the blue, I will hear the opening notes slowly at first and picking up steam as he becomes more comfortable.  They are instantly recognizable, and his natural year for rhythm and tonality fascinates me as much as the music fascinates him.

This photograph shows a little bit his curiosity, but it is impossible to capture the depths thereof.  The questions he asks are genuine and delving beneath the surface.  When he asks “why,” he is genuinely curious of the answer, and the questions usually go to the very mechanics of the universe in his life.  I don’t know what he will become, whether lawyer, or musician, or doctor, or professor – the world lies open before him, and his curiosity will lead him to places that none of us can imagine.

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On Melancholy

LittleTalbot-5

I can barely conceive of a type of beauty in which there is no melancholy.
-Baudelaire
I stumbled on an article yesterday, entitled “The Benefits of a Blue Period.”  In short, the article posited that periods of melancholy in our lives allow us to more greatly appreciate periods of happiness.  I read the article with great curiosity and enthusiasm, as I wholeheartedly agreed with the hypothesis.  One of my favorite professors at Wake Forest, Eric Wilson, wrote a book to this end entitled Against Happiness: In Praise of Melancholy.  It is a brilliant little book, and I have read my copy multiple times.
Professor Wilson taught me to love Blake, and Wordsworth, and Shelley, and especially Keats, who wrote a beautiful poem entitled Ode on Melancholy, where he observed that pleasure and melancholy are two sides of the same coin (Keats’ metaphors are, of course, far more elegant); one cannot fully appreciate the prior without having first experienced the latter.  A rose is beautiful because it must die, because it is, at its core, ephemeral, as life itself is.
I took this photograph of my son, Kemper, earlier this year at Big Talbot Island State Park, just north of Jacksonville, Florida.  It is not the most elegant composition, but it evoked the memory of sitting in Professor Wilson’s class, engrossed as he discussed the wild Blake, and the addled Shelley, and the elder statesman, Wordsworth.  In 2007, I visited Dove Cottage, Wordsworth’s home, and I personally bore witness to the Lake District’s daffodils he was so fond of as I wandered lonely as a cloud.  I would soon thereafter realize, however, that I had not yet experienced true loneliness and solitude.
I have found myself in the depths of melancholy, with a singleness of isolation and anguish.  I was no better (or worse) than Coleridge, whose consumption of laudanum sustained his melancholic madness (that brought us Kubla Khan) until his death at 61.  I often thought I would end up like Coleridge, though with the ignominious distinction of anonymity to all but those who loved me.  Yet I persisted with my own course of self-medication until I was thirty.
I cannot say that I, with a fit of passion and self-realization, quickly emerged from the chasm of melancholy where I had made my home for nearly a decade.  My ascent was gradual, albeit progressive.  At some point along the way, I cannot say when, I gained the perspective of the Romantics – I did not regret the melancholy of my twenties, nor did I wish to shut the door on it.  I had been humanized and humbled by the darkness; because of it, the light shone that much brighter.  I am indebted to Professor Wilson for planting the seed, which, though it lay fallow for years, eventually grew of solid stock.
A rose plucked from a garden is beautiful because it must die, as all beautiful things must, one day, come to an end.  A silk rose in a glass vase is a pale imitation because it possesses no vitality, it is a mere imitation.  I recognize that I am an imitation – not a mimic, but a feigned likeness of a whole human held out to the world – a world, which chooses, most often, to accept me for what I seem rather than peering behind the curtain to who I truly am.
Before I get to afar afield, let me bring us back to melancholy and to a close.  As I am grateful to Professor Wilson, I am grateful for my melancholic past, and, yes, even for the fits of melancholy that I will continue to experience throughout my life.  Emerging from the darkness, the light is all the more vivid.
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Turkey Tails

AngelColor-14

This photograph of the “turkey tail” mushroom (Trametes Versicolor) was taken in the Nocatee Preserve on Christmas morning with Kemper as my photographer’s assistant.  I gave him my old Nikon D40, which was the first DSLR that I ever had.  It has seen Alaska and many other beautiful places, and it served me well until I upgraded to my current D7100.  Kemper took to photography like a duckling to water.  As I am drawn to paths and mushrooms and other natural wonders, he is drawn to sticks and mosses and the sky.

A number of his photographs turned out, though we need to work on focusing a bit more.  His hands are a bit small yet for back-button focusing, and so I reset the camera to focus on depressing the shutter button by half.  I think he gets so excited when he is ready to take a shot (as evidenced by The Pose).

I love taking photographs of mushroom, because they have some of the most beautiful variety of any natural phenomenon.  Some are medicinal, while others are deathly poisonous.  Some are edible, while some are deathly poisonous.  Some are beautiful, and some are beautiful and deathly poisonous.  The turkey tail has gorgeous growth rings that show up especially well in black and white.  Like many woodear mushrooms, they are harbingers of doom for the tree that they grow on, but even as such, they are beautiful to look at and to photograph.

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Framed

SSA Photography (86 of 400)

Life is a kaleidoscope of perspectives.

I have had many perspectives in my relatively short life.  I have seen the world from the top and from about as low a bottom as anyone could imagine.  I have begged for forgiveness, often undeserved, and I have forgiven.  I have now even seen the world through my own children’s eyes.

Photography allows me to manipulate perspectives, to frame them in ways that you may have never thought to look at a particular scene.  This photograph was taken at Big Talbot Island State Park, just north of Jacksonville, Florida.  It was a hot summer day, and in my infinite foresight, I arrived around noon, just as the sun was reaching its apex in the sky.  The shadows played on the driftwood as it began its slow descent to the West.  I came upon a particularly large live oak (Quercus Virginiana), which had two large branches reaching towards the sky.  One was perfectly vertical, and the other was at about thirty degrees.  I took a number of photographs of the geometry of the branches, but none were particularly aesthetically pleasing.  Although mathematics often make photographs interesting, when it is particularly complex like a fractal in a snail’s shell, when the shapes are so simple, they sometimes do not lend themselves to a pleasing composition.

Determined to use them for a shot, I evaluated what struck me about them.  I zoomed into one of the closer shots I took, which approximately resembled this final photograph, and I loved the contrast between the dark, shadowed wood, and the brightly lit ocean and clear blue sky.  I reframed the photograph, itself a frame, and captured this scene.  The fact that the wave rolled in at the exact right time with a sandy color to complete the triangle was a bonus that I only realized when I was touching the photo up later that day.

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Driftwood Core

LittleTalbot-13

At the core, we all have holes.

Some are larger than others, and while most can eventually be filled in, some remain empty.  My paralegal lost her daughter in August just after childbirth.  The sorrow was unimaginable, and we did all that we could for her, but nothing we did or said could fill the hole of the loss of her only child.  Her daughter left behind a husband and three children, five, two, and a newborn.  Our paralegal was out for three months, and our practice slowed in her understandable absence.  More than anything, I missed my friend, and I looked forward to the day that she returned.

She came back at the start of January, less than complete and not totally present, but she was managing better than I could have.  My job (self-appointed) was to keep a smile on her face, to listen when she needed it, and to offer a shoulder to cry on in the moments when she needed to be vulnerable.  I brought her lunch, and we joked with each other, superficially, but still she laughed.  It was a little thing, but it was a bit of normalcy.

On Saturday tragedy struck again.  The baby stopped breathing, and could not be resuscitated.  He was gone, and so too was she once more.  I could not do a thing but tell her that I loved her and that I was here for her – howsoever she needed me.  I cannot imagine the gaping hole that this tragedy tore asunder, ripping the partially healed one of her daughter’s death back open to the elements.  I don’t know if it will ever heal.

My own holes are filled for the most part.  There are still remnants of them, cavities and interstices that remind me of the voids that were once a part of my life.  I do not dwell on them as a practice, but at times like these, I am reminded of the grace and providence that allowed me to see the faintest hint of light peeking through the chasms.

We all have holes at our core.  Some will be filled by time, but the unimaginable others, I just don’t know.

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Astride

LittleTalbot-10

This photograph of Kemper was taken not too long ago at Big Talbot Island.  He is in his element among the low-lying branches of the fallen live oak (Quercus Virginiana).  Kemp is ever-cautious, and consequently has not broken any bones (so far).  Even convincing him to climb the trunk, no more than four feet off the ground, took some coaxing.  I am fine with his wariness of danger.  It would have served me well as a child, who, by his age, had already broken both wrists and a couple of toes.

Despite his cautious nature, he is impulsive and fiery.  His temper burns hot, though it is extinguished quickly with proper redirection.  This has caused great consternation at school, where someone will call him a name, and he will explode momentarily.  In that instant, he cannot control himself.  I was not as impulsive as a child, though as an adult, I find myself irrationally upset at times, which quickly cools.  I cannot help but think that he has seen me in such moments of weakness, where my sarcasm and passive aggression come through in full technicolor.  I hate that he has witnessed this, and since his temper has blossomed at school, I have made every effort I can to dull my own temper — especially around him.

He is a sweet child, and wants nothing more than to make those around him smile or laugh.  His intelligence is off the charts, but his emotional maturity lags behind significantly.  Eventually this, too, will catch up (though I admit, I am waiting for my emotional maturity to catch up even at age 34).  By every account, we are good parents, and he is a good kid.  Nevertheless, since he returned from Christmas break, he has been sent to the principal’s office nearly every day by his young teacher, who appears incapable of managing his behavioral outbursts.  He sees no point in doing the multitude of worksheets, on subjects that he has known since he was three or four, and he is overwhelmingly bored.

We have sat down with the principal, assistant principal, grade level chair, and his teacher, but the conflict between Kemper and his teacher persists.  Anna, especially, is questioning our decision to place him at this particular school, which is, admittedly, rigid in its principles.  Her years of training as a behavior specialist gives her great insight into how to manage children with his unique blend of intelligence and immaturity, which makes it all the more difficult to see him go unmanaged and unmotivated.  This, too, shall pass, and we may move him before the school year is up.  For now, we will provide him the positive reinforcement that he so thrives upon, and continue to embrace his unique personality.  I will continue to bring him to Big Talbot, where he has begun to climb the trees with less and less coaxing, and I will pick him up when he inevitably falls.

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Lichen

AngelColor

This little lichen (Usnea Florida) hung from the limb of a eastern red cedar (Juniperus Virginiana – not to be confused with the live oak (Quercus Virginiana)) dithering ever so slightly in the wind that had been left over from the storm the day prior.  I chronicled the Sunday walks I take through the swamp in Nocatee Preserve in an earlier post, and this day was no different, save for a different lens.   Instead of capturing the hidden beauty of the swamp in a macroscopic, wide angle tilt, I opted to only bring along my macro lens and lighting apparatus, which makes for a very serious looking photography setup to the uninitiated.  Few people passed me this day, on bike or foot, as the paths were still muddy from the day before.  The epiphytes, like this lichen, were bright and renewed from the downpour.  This particular varietal reminded me of the microscopic pictures of neural pathways and ganglia in the brain.  The common pattern, I am certain, is no coincidence of nature.

Interestingly, I later found out that usnea lichen contain potent antibiotics which can halt infection and are broad spectrum and effective against even tuberculosis. Usnic acid (C18H16O7), a potent antibiotic and antifungal agent, is found in most species, including this Usnea Florida.  This, combined with the hairlike structure of the lichen, means that Usnea lent itself well to treating surface wounds before sterile gauze and modern antibiotics.  It is also edible and very high in vitamin C.  As I mentioned in a previous post, I am not confident enough in my sight identification of mushrooms or lichen to test the medicinal properties of either, though there are no lichens nicknamed “Death Angel” or anything so nefarious, so I might be more willing to nibble on the ganglia of this lichen than an anonymous mushroom–if push came to absolute shove.

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