Roots, Radical.

DriftwoodTree

If you have read any number of my posts, it would not be an overstatement to say that I enjoy metaphors.  This lonely tree on the beach at Jekyll Island just begs for one, and who am I to deny what nature has so freely given.

I took this photograph on our “babymoon” just before Nora was born.  By “just before” I mean that Anna went into labor shortly after this photograph was taken.  We got back to the house just in time to turn around and go to the hospital, where Nora was born a brief time later.  I did not have time to process this photography until quite a while later, and here it is two and a half years later before I am posting it.

I was this lonely tree for longer than I would care to admit.  I had come out of that phase of my life by the time I came upon this tree, roots bare, and stark against the cloudless sky, but it is no less significant.  It represents many of the days that I walked on the beach at Big Talbot or nearer to our house in Ponte Vedra searching for soil into which I could sink my roots.  The irony of looking for this in the shifting sands of beaches is not, now, lost on me.  Nor is it lost on me that this tree took root on those sands, or that it continues to stand there despite hurricanes and erosion that would have felled weaker trees.

In fact, this tree stands because it is small, and its roots are proportionally giant and deep.  It would not surprise me if the root system was as large and deep as the tree is tall and wide.  As I look at it now, I imagine that the roots are a mirror image of the branches above the gray sand.  They are gnarled and strong, irregular and radical.  Radical is a favorite word of mine.  It literally comes from the Latin word radix, which means root.  To be radical is to affect the fundamental, root nature of something.  Conversely, a radical is someone who advocates a departure from the fundamental, root nature of a thought or idea.  I love the derivations, the roots of words.  They give words that we take for granted so many more layers, more strata, which, if you were wondering, means layers of things strewn about…I could go on and on…ad infinitum.

And they wonder why I was a Latin and English major…

The Anecdote of the Jar

SSA Photography (291 of 400)

Boneyard Beach on Big Talbot Island is one of my absolute favorite places to photograph in Northeast Florida.  I often lament how uninspiring North Florida is for photography, because there are very few changes in topography.  I think my feelings on the subject are driven in large part due to the mosquitoes and ever-present danger of an alligator or water moccasin deciding that this is the day to make me a statistic or a cautionary tale.  Although I have seen an Eastern diamondback rattlesnake in the surf before, he was as confused (if not more) than I was as to how he found himself there, and though he was quite large, he posed no threat to me.  Thus, the beach is safe.

Having grown up near the beach, I take it for granted.  I also take for granted the incredible wildlife we have from wild roseate spoonbills and butterflies of every variation, to even the bobcat and Florida panther.  (I have seen my share of bobcats, but thankfully I have never had a run-in with panther.)  Yet there is something so unique about walking through scrub oak woods, hearing the crash of waves, and finding yourself not on an empty beach, but on a beach filled with old, weathered live oaks lying there like skeletons strewn about by hurricanes.

Ironically, this photograph of a driftwood oak, still tethered by its roots to the beach, was taken in Jekyll Island—another barrier island about an hour north of Big Talbot in Georgia.  This photo captures a bit of what struck me so emphatically when I came upon the tree.  Unlike Big Talbot, this was the only driftwood feature on the entire beach.  But for this tree, it would have been a perfectly ordinary, flat, featureless Florida beach, and I would not have given it a second thought.  Because of this tree, however, the beach took on meaning.

Wallace Stephen once wrote a poem about the universe taking shape around a jar he placed on a hill in rural Tennessee.  It is a perfectly beautiful little poem that has always resonated with me.

I placed a jar in Tennessee,
And round it was, upon a hill.  
It made the slovenly wilderness  
Surround that hill.

The wilderness rose up to it,
And sprawled around, no longer wild.  
The jar was round upon the ground  
And tall and of a port in air.

It took dominion everywhere.  
The jar was gray and bare.
It did not give of bird or bush,  
Like nothing else in Tennessee.

Around the jar the world gained meaning.  What was once a wilderness was now not so wild, as it found order in relation to this jar.  In the same way, this featureless beach took shape around this tree.  The beach that was perfectly ordinary became extraordinary because of this tree, just as the wilderness became forever commended to words by Stevens and became a part of American literature because of that simple little jar.  This tree is a testament to how some otherwise ordinary object can bring meaning to an otherwise ordinary, pedestrian setting.

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