Dupont Falls

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This photograph of Dupont Falls in the Pisgah National Forest is but one of the waterfalls contained in my portfolio “Falls.”  The sheer scale of this one separates it from the others, however.  What I remember most about the hike up to the falls was the difficulty I had climbing the steep incline of the path.  I was near the heaviest weight that I’ve ever been, and I was incredibly out of shape.  Over 80 pounds lost, I look forward to the hikes in North Carolina, where I once feared and loathed them.

When I decided to have weight loss surgery (vertical sleeve gastrectomy), I worried about the stigma, specifically that people would think I was taking the easy way out.  I worried about not being able to enjoy food like I used to or lean upon it as an emotional crutch, which is precisely what got me in that predicament in the first place.  Nevertheless, I was tired of constantly watching the scale rise and being unable to do simple things like hike a short distance to take a picture of a waterfall without great difficulty.

Having the surgery was one of the most difficult decisions ever made.  Nevertheless, one year removed, I would do it again in a heartbeat.  That is not to say that the journey has not been difficult.  My stomach has still not fully regained its fortitude, and perhaps it never will.  However, watching the reactions of people who hadn’t seen me since before the surgery, and feeling younger, healthier, and more energetic than I had for years (longer than I can remember), makes it all worth it.

I am no longer ashamed that I sought out medical intervention to help with my weight loss journey.  As I was counseled in the beginning, the surgery is not a panacea, but is instead a tool.  It has been an incredibly useful tool, one which I utilize sometimes more appropriately sometimes less, but that I will always have at my disposal.  I still have a ways to go, but 80 pounds is a great start.  Perhaps next time we are up in North Carolina, I will turn even further up the path for another angle of what the falls have to offer.

Usnea Florida

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This patch of Usnea, though very similar to the same type found in Florida (aptly named Usnea Florida), is unique to the Appalachians.  Like it’s Florida relative, this lichen has medicinal properties, is high in Vitamin C, and in a pinch can be used as gauze due to its antiseptic properties.  Although I should not be amazed any longer by things that indigenous people knew about nature, including the Timucuans chewing on willow bark to alleviate headaches, I am no less delighted every time I learn about a new use of a natural phenomena.

The lichen hangs on a black pine branch, and given its size and volume it must’ve been growing there for quite a while.  Lichen is a slow-growing organism, but I must admit that I don’t know enough about it to judge how long this one has been growing.  The light green of the lichen is set off by the dark rhododendrons behind it, and I actually enjoy the composition from a purely artistic, aesthetic standpoint as well as a documentary one.

I grew up around Spanish moss hanging from every limb of our oak trees that grew outside my bedroom window.  The only attention I paid to the moss was the ever-present caution from my mother to avoid the ever-present chiggers whose bite itched worse than a thousand mosquitoes.  I did not appreciate the epiphytes then, and it wasn’t until very recently (during my self-education on lichen) that I discovered that Spanish “moss” is actually a bromeliad, and is more closely related to the pineapple then actual moss.  Most of the epiphytic air plants that grow in Florida (genus Tilandsia) are bromeliads, and the subtropical climate of Florida is perfect for them to flourish.

Perhaps because I grew up around so much moss and lichen, I never truly appreciated them before I began documenting them in photographs.  In the photographs, I was able to more greatly appreciate their simple beauty.  I think my gateway drug was resurrection ferns (Pleopeltis Polypodioides), which fascinated me through their natural (no pun intended) symbolism and their innate ability to come back from the “dead.”  Once I found one epiphyte that captured my attention, it was a short matter of time before the others did so as well.

I love being able to share my renewed, and almost childlike, fascination with nature with Kemper.  Though his attention span is short, I can see the buds of interest taking root.  Perhaps it won’t take him almost thirty years to fully appreciate the natural world around him, but if it does, then he is in for a treat.

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Dusk on the Davidson

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This photograph was taken just before the golden hour in the Pisgah National Forest in Brevard, North Carolina.  A combination of heavy snows just weeks before, warm weather thereafter, and torrential rains contributed to an incredible amount of flooding, especially along major tributaries like the Davidson River, which is pictured here.

As we hiked along the banks of the Davidson, I was shocked to see a water line about a foot and half up on the trunks of the trees, even a hundred yards from the river.  Limbs and leaves and detritus were scattered along the muddy paths, and Kemper found great pleasure in stomping in the mud and his wellingtons.  In fact, the mud puddles seem to be the only redeeming factor in many of our walks which he begrudgingly accompanied us on.

The snowfall, the likes of which had not been seen in decades, knocked many large trees down, as evidenced by the fresh sawdust on the trails where the park rangers had come through earlier that week with chainsaws.  It is humbling to think, despite the power that we wield, the sheer power of nature is unparalleled.  Having grown up in Florida, I am accustomed to this come July through September when hurricane season is in full effect.  I am sure the next time we go up, new growth will have taken the place of the grand old black pines, whose time it was to cede to a younger generation of saplings.

Brynn’s Leaves

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I would like to say that this was a candid shot, and that it only took one “take” to get it right.  I would like to say that, but I cannot.

I caught my niece Brynn throwing individual leaves in the air to watch them float back to the ground, and I asked her to do it again so that I could get a picture of it.  She grabbed a pile of leaves and threw them towards the camera, which, if Kemper had done it, I would have taken as a sign of protest, but Brynn does not have a mean bone in her body; so I just figured a bit of context would be in order.  I told her that I wanted to see her having fun throwing leaves into the air, and so this photograph was born.

Brynn is a sweet soul.  For Anna and me, she is easy-going and carefree.  I know that this is not always the case for Claire, but Brynn is her daughter, and no mother can be so lucky.  Claire is a phenomenal mother, and our relationship has grown substantially since the kids were born.  Brynn is only a year younger than Kemper, and so they have grown up together.  He is very sweet with her, just as she is with him and Nora.  She tries to mother Nora, which is fun to watch – as our little nugget weighs just about as much as Brynn.

Brynn has had some health and development issues, but despite these hurdles, she has not lost her love of life.  As a working parent, I am not sure how Claire manages to balance her exceptional responsibilities as a principal of a K-8 school with being a full-time, single mother.  I am in awe.  I would like to think that I could do it if anything were to happen to Anna, but I would lean so very heavily on Claire for guidance, because she has navigated the way so successfully.

I was never close to my cousins growing up.  They lived far away, and I regret not knowing them better.  I will always remember my cousin Charlie teaching me how to play chess, but I hate that I wasn’t closer with them.  I am so happy that Kemper and Nora will grow up with Brynn, and that the three of them will be as thick as thieves.  I am also grateful that Claire and I have passed our childhood squabbles into the relationship that we share now.  We lean on each other, which is a far cry from the button-pushers we were (well, mostly I was) growing up.

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Falling Behind

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As the lone photographer on nature walks (Kemper stayed behind), my place is in the back of the queue.  I used to feel as if I needed to walk with the pack, and would scurry to keep pace, missing many photographs to do so.  Soon, though, I stopped and thought how rare it was for me to be out in nature in North Carolina, and also how it was my vacation as well.  North Carolina used to mean fly fishing for my dad and me, and we still fish on occasion, but my attention has shifted to photography in the past three years or so.  He relishes the role as my “spotter,” and so we are still engaged together, even without fly rods in our hands.

We both used to loathe walks, but something about the woods of North Carolina evinced a change in us, and we willingly go on hikes through the fallen logs and chaparral of the dense undergrowth.  Anna tagged along on this hike, and she kept pace with me at some points and at others she walked ahead with my dad.  When I stopped to change lenses (from telephoto to macro ), they evidently had lost interest in waiting for me, and I quickly lost sight of them.  I caught up in about fifteen minutes, after finding a bunch of polypore mushrooms and an intriguing shelf mushroom.  They were happy to wait and chat as I ambled up the path back towards the car, and I was happy to watch my footfalls, lest I miss the photographs I once raced past to not be left behind.

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Outcropping

SSA Photography (138 of 400) This photograph was taken a few summers ago in North Carolina.  The afternoon presented a small break in the rain that had been falling consistently for nearly a week, and so we put on our boots and braved the trails that were muddy in parts and wholly impassable in others.  The green of the forest was indescribable.  Everything glowed with a vibrant verdigris, especially the moss that grew on the rocks and the fallen trees.

This patch of moss was unique, insofar as it hung from the rocks instead of clinging to them.  Perhaps the moss just followed the water that always trickled down from the mountaintops during the summer rains.  Certainly the water had enough nutrients for any living thing to subsist.  The bright, almost neon, chartreuse was stunning.  When I got back to the cabin, the rain having begun to fall again, I was somewhat morose.  I am not sure if it was because our hike was cut short, or because I was stuck inside once again, when all I wanted to do was walk around with my camera and capture the beauty of Western North Carolina.

Whatever the reason, my displeasure at the situation made this photograph monochrome.  I am sure that I have the original on a hard drive somewhere, but I have come to know this photograph as black and white.  When it cycles through the slideshow in my office, it is monochrome, and it reminds me of my grumpiness that day.

Photographs are queer like that, I suppose.  They capture a moment, but the moment is so much greater than what actually registers on the sensor as a photograph.  For me, the act of taking a photograph is a holistic experience.  When I look at a shot I took, I remember where I was and how I felt about the shot when I took it and when I edited it.  Some memories have been lost along the way, but the important ones persist.  Even the thought of that rainy July day four years ago has stayed with me.  If I ever begin to lose my memory, my photography will become all that much more important.

My photography is a record of my journey through the last ten years of my life, a journey that was filled with tempest and the afterglow of a rainy afternoon, when everything appears that much more green after the rain has passed.

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Leaves of the Fall

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Beyond any other pursuits, photography included, I am a writer.

I went to Wake Forest on a creative writing scholarship, and even got a full ride to Dartmouth for the same.  (I chose Wake, because in high school I didn’t drink or ski, two prerequisites to attending Dartmouth, I was informed.  I am forever grateful I made that decision, though I do have flights of fancy every so often as to where I would have ended up had I chosen the Ivy League track…)

The first real writing endeavor I undertook was when I was seven and wrote a short story about a kid surviving in the wilds of North Carolina.  It was wholly implausible, but at 15 typed pages (for a seven year old), it was a veritable novella.  When I was sixteen, I began writing what would turn out to be my first novel.  I completed it at Wake, which is to say, I wrote the words “The End” when it seemed appropriate; however, in my mind it remains unfinished and unpublishable in its current form.  Every so often I get a wild hair and re-write sections of it.  Some day, I will dedicate myself to rewriting it, and perhaps I will even submit it for publication.  It’s working title was “The Last of the Romantics,” though this gave way at some point in college to “The Leaves of the Fall,” which is what it remains to this day.  I love that title, and the symbolism that is packed into those five words.

I have gone through phases of dedicating myself to the craft of poetry, and then to drama, and then back to poetry, and then plays about writing poetry, but I always land back at the novel – that unfinished magnum opus that may never be.  I have written a couple of others in the interim, and a number of short stories – some of which I am more proud of than others – but none that I am so proud of as to submit them for any competition or publication.

In the end, I have always written for myself.  It was a release when I most needed it, and like my earlier post on melancholy, this desperation was a bountiful muse.  Now that I am in a happier, softer place, I do not need writing as I once did.  The craft will always draw me.  We are different poles of the same magnet, pulled together at all times, but somehow never quite managing to forever join together and fulfill our attraction to one another.  In some ways it is like a subtle addiction.  I can kick it from time to time, but when I let myself, I relapse into the world where I am consumed by writing.  These little daily epistles satiate me, for now, but they are like methadone to a heroin addict.  Although they replace the visceral need, they are a poor substitute for the real thing, the thing that I crave even when I am not actively thinking about it.

I generally do not stage my photographs.  I take them as they come, as they are presented to me.  In this way, my photographs are documentaries of how I encountered the world, rather than fictional accounts of how perfect I wanted the world to be.  In this case, I gave into my addiction, in part, and posed this water oak leaf on a stone staircase on the property up in North Carolina.  I wanted a shot that corresponded with the title of the novel.  I wanted cover art for a book that may never be bound.  Perhaps this is wishful thinking, or perhaps it is a subconscious recognition that some things I just cannot escape.

Unlike alcohol or any other addiction, I can be consumed with it without being consumed by it.  I am still whole the end of a poem or a chapter, perhaps even more so, having gained a bit more insight into my psyche.  I can live with that.

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Winter Willows

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I leave today, I’m packing light: a suitcase, some toiletries
The rolling hills and willow trees of Carolina wait for me

-Benjamin Gibbard, Carolina

When I set foot on Wake Forest’s campus, I knew it was home.  It is often difficult for me to recall the details of every important life moment, especially if I didn’t put much stock in the moment at the time.  Yet I remember pulling off of Silas Creek Parkway, and seeing the hedges at the entrance to Wake’s campus like it was yesterday.  It was the Fall, and the leaves had already begun to fall as my dad and I pulled through the gate and onto the main road into the campus.

Carolina is still home in many ways.  It is home insofar as I have deep, sometimes painful nostalgia for it.  Nostalgia comes from the Greek meaning an aching for home.  I ache to be back in the foothills, to be back when the leaves turn and fall.  For a long time, I ached to be back at college, but now that I am in a job I enjoy, in a place I love, I do not covet the thought of being back in the dorms and going to class every morning.  Too much has happened in the interim, and I am not the person I was when I was eighteen and stepped foot onto the campus.

Having said that, in many ways, I am more that eighteen-year-old now at thirty-four than I was at twenty-two when I left, or even thirty, when I hit the reset button and chose to fundamentally change who I had become.  To all who met me, I was a happy, laid-back person, who had the capacity to find the joy in the littlest things in life.  I was more this person than perhaps I gave myself credit for being, though at the time, I considered it quite the facade.  Today, I am returning to (or perhaps becoming for the first time) the person I so desperately wanted to be when I was at Wake.  As they say, selfishness and self-seeking have slipped away; I have a new outlook on life.  I comprehend serenity, and I know peace.  For me, North Carolina embodies these promises, and so, one day I will pack my back, to where the rolling hills and willow trees of Carolina wait for me.

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Walking On

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I was initially not pleased with how this photograph turned out.  The figures of my mom and Kemper are sharp, but the trees and leaves in the foreground are blurred, as I was fiddling with my settings to take earlier photographs with my wide angle lens and, candidly, I forgot to change them.  When I came back to it after a bit of contemplation, however, it grew on me.  The focus of this photograph is and should be my family, and the other blurred features, which seemed like a distraction at first, repose in a secondary position.

This is, I think, a good lesson learned once again from a photograph that has taken on a life of its own.  Family is, and should be, the focus.

I keep long hours in my job.  When I started, I would get in around 5:30 and leave after 7:00 in the evening.  I saw Nora and Kemper very little during the week, and it took a toll on me.  Nora was young enough that she changed daily, and getting home after she went to sleep meant that she had changed drastically in a week.  Kemper changed, too, but not as quickly.  Still, I missed being able to see them each day.

These days, I get into the office around 4:30 and leave around 5:30 or 6:00, and rarely do I miss either of them before they have to go to bed.  Nora runs to me now (or at least toddles quickly) and throws up her arms when she sees me.  I pick her up and she tells me about her day in her own language that she can only assume I understand.  I hesitate to put her down, even to give Kemp a hug, because this is our time.  When Anna feeds her and puts her to bed, Kemper and I have our time.  We have taken to lying in his bed and talking about both of our days, if for no other reason than to share that my days have their challenges as well.  He cherishes these “long talks.”  I do too.

My days are long, and I am worn out by the end.  I shoulder a lot of responsibilities in the hours that I am in the office, but as this picture attests, family is my focus – even if sometimes I lose sight of this for the blur that is the rest of my life.  Indeed, even when I forget to change the settings, the important things remain tack sharp.

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Deer Moss

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This lichen (Cladonia Evansii) is a familiar one.  Known mistakenly as “deer moss” this fungus is a lichen, not moss.  As the name suggests, this fruiticose lichen is important forage for whitetail deer in the eastern states.  Though not as plentiful amongst the trees as the usnea lichen that seems to attache to the branches and trunks of even the youngest saplings, among the rocky hills, the light ash-gray clumps of lichen are visible from long distances, interspersed between the darker slate-gray stones.   The lichen grows extremely slowly, only three to ten millimeters per year.

The patch that Kemper and I found on our walk down the driveway was decades old and thick with a radius of lichen stretching out ten feet from the center in all directions.  The thalli (branches) are interwoven, and the result is a springy, spongy mass.   This type of lichen (Cladonia) can be found all over the world, and its name varies as the animals that forage on it change.  In the northernmost reaches, it is known as reindeer moss, and further south it is known as caribou moss.  Kemper and I even found some in a Jacksonville swamp during a hike, and sure enough, cast in the mud was a hoof print of a small whitetail deer.

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