Whitewash

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Please indulge this wizened writer for a brief moment.

I have been a writer since I could hold a pencil.  I did not always blog, but I have done so since 2012, when I was at a previous large law firm, and I was the Florida Banking Law Blog.  I learned a lot over the course of writing those posts, both about content and generally about what readers are seeking when they visit.  The post must be informational and educational, else they will have no reason to visit it, and the post must be at least mildly entertaining, else they will lose interest quickly, and they won’t bother reading the content.

Before I blogged, I was a creative writer and an editor.  I am a published poet, a fairly widely published legal author, and I attended Wake Forest on the Presidential Scholarship for Excellence in creative writing – based upon a novel I had written, which I began when I was sixteen.  In college, I was an editor of a journal, and in law school, I was editor-in-chief of the second largest journal at the school.  As such, I am rightly proud of my writing.  And then along comes Brandi.*

My current firm has decided to enter the blogosphere, and I have taken on the responsibility of creating the website and the lion’s share of the content.  Some of the content is very dry – after all, I am a tax lawyer – but I have striven to engage the reader in even the most esoteric posts.  Some of the posts are downright funny, and they have been incredibly well received by my peers and my shareholders.  And then along came Brandi.*

Without solicitation, a young lady (I think she’s thirteen or fourteen), a lackey at the marketing agency that our firm has chosen to engage, sent me an email at 5:23 last night “editing” and “proofreading” one of my more creative blog posts about the use of testamentary trusts for your animals (think Leona Helmsley or Karl Lagerfield).  I read through the comments, first with bemused apathy, and then with growing vitriol that rose to a veritable boil by the final page.  The white-hot anger washed over me like the surf in the photograph at the beginning of this post, which was taken in Carmel-by-the-Sea, California.

I can be criticized for many things, and often rightly so.  I am overweight, though I have lost eighty pounds since last March.  I am a perfectionist.  I can be untidy.  I can be many things less than the paragon that I strive to be, but when it comes to criticizing my writing, this is an inviolate line that nary a person ever crosses (nor, I must point out, dear reader, would they have reason to).  And then along came Brandi.*

I have calmed down since last night, when I quite literally turned off my computer – physically pressing the power button without logging off or shutting down – with the full knowledge that if left to my own devices, Brandi* would have been the recipient of a wrath-filled dissertation on the error of her ways.  Ultimately, her words will pass like those written on running water, a simile that was first used by the Roman poet Catullus.  One of my fellow associates at the firm left me with these parting words: “Scott, you have too many degrees to worry about what she said.”

I will respond, likely with class and dignity.  I will rise above, likely with great aplomb.  If I see her, I will smack her, likely with my shoe.  The fact that I know that those three sentences contained the rhetorical device tricolon crescens, and the fact that I intended such effect, gives me solace.  I will rest now on my laurels, laugh at her comments, and disregard them like a wave washing over the rocks on a sunny day.

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*Names have been changed to protect the little twerp.

Crash

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The Pacific intrigues me like no other body of water.  Having grown up minutes from the Atlantic Ocean, I am accustomed to what I always considered crashing waves.  I remember the muscle memory as a child of being tossed and rolled in the waves after a visit to the beach lasting for hours after we arrived back home.  The sheer strength of the Pacific dulls these memories somewhat, and forces me to reconsider the awe of my childhood fascination with the placid Atlantic.

This photograph was taken amongst the rocks in Carmel Bay.  Although the crash of the waves in this photograph is impressive, the highest swells and tallest sprays seemed to come the moment I turned my camera off after waiting for the next great wave to roll in.  Kemper joined me on this trek down to the water’s edge, but he was more interested in throwing pebbles to the tide pools than the august waves and cacophony of them extinguishing themselves on the rocks.  Perhaps he is jaded, having grown up with the Pacific, or perhaps he is simply a child, whose attention is drawn more by his controlling of nature than nature’s control over the elements.

The morning layer was thick when I dragged him from bed to amble down to the coastline, and the colors were muted.  The deep dark shades of the wet rocks and the brilliant white of the salt spray were perfect contrasts, and so my inclination to monochrome most of my photographs was well founded in this one.   Although I am taking more photographs with Kemper in them, which capture his growth and my fondness of him journeying with me as I did with my father, I had not yet begun this practice when I captured this wave against the rocks of Carmel Bay.  When we return, hopefully soon, to California, I will rectify this shortcoming.  Perhaps he is old enough now to appreciate the power of the Pacific, but more likely, he will return to his old pursuits of watching his ripples in the tide pools as I wait for the great wave.

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Invasive Beauty

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This post was originally titled “Native Beauty,” as I had seen these beautiful purple flowers up and down the coast near Carmel, California.  With a bit of research, however, I found that these stunning flowers are an invasive species known as Pride of Madeira (Echium candicans).  In fact, forestry officials are removing them from native plant communities as part of habitat restoration efforts in coastal parks such as the Golden Gate National Recreation Area.  The genus name is from an ancient Greek word for the plant. It is derived from “echion,” with the root word “echis” meaning “viper.”  There are conflicting etymological justifications for the name, including that the shape of the seed resembles that of a viper’s head, and  that Echium Vulgare, a related plant, was a historically thought to be a remedy for the adder’s bite.  Candicans or “shining white” refers to one of the more famous varietals in Madeira, Portugal, where the plants originate.  It was originally referred to as Echium Fatuosum, which is where the “pride” in the name originated.  In California, however, the purple E. Candicans varietal shown in the photograph is the most common.

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Roil

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This photograph was taken on a blustery morning in Carmel-by-the-Sea, California.  The winds were coming through the bay at a fierce clip, and the waves were the largest I had ever seen.  We went on a hike to Point Lobos, and I captured this scene after one of the larger waves had crashed across the rocks – completely covering them in a mix of foam and roil.  One of the apocryphal origins to the name Aphrodite is “risen from the foam,” but I cannot imagine that this was the type of scene the ancients envisioned of her birth.  I think Botticelli got it right.  The violence of the waves made me marvel at the strength of the stone, which has invariably been battered for eons.  Love is like that in many ways, often beaten but never broken…so perhaps the ancients were onto something…

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Aesacus

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This panorama was taken near Carmel Point, the southernmost point of the coastline in Carmel-by-the-Sea, California.  The title, Aesacus, alludes to the myth memorialized in Chapter 11 of Ovid’s Metamorphoses.  The youth Aesacus fell in love with Hesperia.  As he pursued her, she was bitten by a snake and died.  Aesacus gives a brief soliloquy lamenting her death, which he says was caused by him and the snake equally.  The sentence after his speech contains one of my favorite images in Augustan-era poetry: “Dixit et e scopulo, quem rauca subederat unda, se dedit in pontum.”  (“So he spoke, and from the cliff, which the rough waves had eaten away below, he gave himself to the sea.”)  As Aesacus fell, the ocean goddess Tethys took pity on him and changed him into a diving bird.  Watching the five diving birds in the photograph flying between rocks (eaten away by the sea) made me think at once of the Aesacus myth, which gave the scene such a mournful subtext.

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