SSA Photography (272 of 400)

The beauty of the coastline of California is undeniable.  The  Pacific is magnetic, and I am drawn back to the West Coast when I am away for any length of time.  This outcropping, just off the coast of Carmel-by-the-Sea, fascinates me, and I spent quite a while trying to capture a photograph to do it justice.  I wanted to take one of the august waves crashing over the top, but ultimately I was struck by the hidden power of the little silent rivers that have carved away the stone over the millennia.  There is no great force to the rivulets; they work by sheer repetition and determination.  The streams of water cascade over the outcropping each time even a moderately sized wave crashes upon the rock, carrying a grain of sand or two, and slowly they peel away the layers of the hard stone – a testament to the often-hidden power of nature.

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SSA Photography (253 of 400)

This panorama was taken near Carmel Point, the southernmost point of the coastline in Carmel-by-the-Sea, California.  The title, Aesacus, alludes to the myth memorialized in Chapter 11 of Ovid’s Metamorphoses.  The youth Aesacus fell in love with Hesperia.  As he pursued her, she was bitten by a snake and died.  Aesacus gives a brief soliloquy lamenting her death, which he says was caused by him and the snake equally.  The sentence after his speech contains one of my favorite images in Augustan-era poetry: “Dixit et e scopulo, quem rauca subederat unda, se dedit in pontum.”  (“So he spoke, and from the cliff, which the rough waves had eaten away below, he gave himself to the sea.”)  As Aesacus fell, the ocean goddess Tethys took pity on him and changed him into a diving bird.  Watching the five diving birds in the photograph flying between rocks (eaten away by the sea) made me think at once of the Aesacus myth, which gave the scene such a mournful subtext.

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